A retrospective of photographer William Eggelston, Democratic Camera: Photographs and Videos 1961 - 2008, just opened at the Whitney. Included in the large exhibition is the series Los Alamos, which I wrote about in 2005 when it was shown at the Dallas Museum of Art. You can find it here. Rereading it again, I think the Haruki Murakami comparison still holds up well against Eggelston's aesthetic, even if the piece itself is a bit awkwardly sentimental.
Monday, November 10, 2008
Murakami was the Rage
A retrospective of photographer William Eggelston, Democratic Camera: Photographs and Videos 1961 - 2008, just opened at the Whitney. Included in the large exhibition is the series Los Alamos, which I wrote about in 2005 when it was shown at the Dallas Museum of Art. You can find it here. Rereading it again, I think the Haruki Murakami comparison still holds up well against Eggelston's aesthetic, even if the piece itself is a bit awkwardly sentimental.
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